互文性的电视和主体性的观众——约翰菲斯克电视文化理论(2)
作者：佚名； 更新时间：2014-12-06
ion and Contemporary Criticism[C].Chapel Hill and London：The University of North Carolina Press，1987.
[8]John Fiske.Moments of Television：Neitherthe Text nor the Audience[A].Ellen Seiter，Hans Borchers，Gabriele Kreutzer and Eva-Maria Warth(ads).Remote Control：Television，Audience and Cultural Power[C].London：Routledge，1989.
[9]John Fiske.Women and Quiz Shows：Consumerism，Patriarchy and Resisting Pleasure[A].Mary Ellen Brown(ed).Television and Women’s Culture[C].Sydney：Currency Press Pty Ltd，1990.
[10]John Fiske.TV Quiz Shows and the Purchase of Cultural Capital[J].The Australian Journal of Screen Theory，1983，(13~14)：5-20
[8]John Fiske.Moments of Television：Neitherthe Text nor the Audience[A].Ellen Seiter，Hans Borchers，Gabriele Kreutzer and Eva-Maria Warth(ads).Remote Control：Television，Audience and Cultural Power[C].London：Routledge，1989.
[9]John Fiske.Women and Quiz Shows：Consumerism，Patriarchy and Resisting Pleasure[A].Mary Ellen Brown(ed).Television and Women’s Culture[C].Sydney：Currency Press Pty Ltd，1990.
[10]John Fiske.TV Quiz Shows and the Purchase of Cultural Capital[J].The Australian Journal of Screen Theory，1983，(13~14)：5-20
